Reviews

Art & Image

Lines are marked, yet we are all outsiders at PENTIMENTI
​Exhibition Dates: June 26 - July 24, 2026

The Philly Occasional

Art Review | “Addenda – that which must be added” at DVAA
​Exhibition Dates: April 28 - May 24, 2026, Philadelphia

Art Review | Christian Haub: "Full Transparency" at Helm Contemporary
Exhibition Dates: April 4 - May 02, 2026, NYC​

Art Review | Material and Immaterial Works in “RTRU*” at Kaje
​Exhibition Dates: April 4 - May 17, 2026, Brooklyn

Art Review: Nancy Graves "Archaea"
Exhibition Dates: February 7 – March 28, 2026, Locks Gallery, Philadelphia

Art Review: William Gaucher “Survived by Sights”
Exhibition Dates: January 16 - March 7, 2026, Theta Gallery, NYC

Art Review: Megan Biddle "Through Line"
 Exhibition Dates: September 6 - October 12, 2025, ​No. 5 Butchie Alley, Philadelphia

The Artblog

NOTE: There is an annoying technical problem with theartblog.com archive. A glitch occurred when the archives were transferred to Moore College. Please ignore the scary red warning page. The links are safe. To access the links, click the "Details" button, then scroll down to "Only visit this unsafe site if you're sure you understand the risks." 

The expansive humanity of Thomas J Price’s statues of Black men and women

​‘In Pursuit,’ sculptural work that is personal and political at the National Liberty Museum

Andrea Krupp’s ‘Dark Matter’ at the National Museum of Industrial History

How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University

Making The Climate Crisis Personal, Sarah Kanouse’s ‘My Electric Genealogy’

Sarah Peoples Makes Waves, a Rainbow and Much More, at Glen Foerd

Glen Foerd, a Mansion for the People (and a Gnome)

The riotously quiet work of Quentin Morris at Arcadia University

Local innovation and tradition in the Woodmere Art Museum’s 81st Annual Juried Exhibition
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​Labyrinthian HOT BED Gallery spotlights artists’ wild creativity in WACK!

John Singletary’s beautiful unique works featured by Philadelphia Volunteer Lawyers for the Arts

Nadia Hironaka and Matthew Suib enchant and narrate in ‘Understories’ at Locks Gallery

How to Curate a Story, Matisse in the 1930s at Philadelphia Museum of Art
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